立即观看视频Mrs. works but how original is it? – Movie Review by Sucharita Tyagi
Mrs. (streaming on ZEE5 Global) is too faithful a remake. Barring some (ineffective) song and dance, every beat is nearly identical to the original.
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My interview with Jeo Baby –
Even if one hasn’t watched Jeo Baby’s film, the Bollywood sheen, texture and overall voice in Mrs. is so overwhelming and complete in, one can pretty accurately predict where each scene is headed. Not to mention eager but sad back ground music ready to hold your hand a little too tight, reminding you WHAT you must feel, in each moment, lest the message is lost. The adaptation also leans away from commenting on dictatorial practices ingrained within religion that stop women from living full lives, while men pray to female deities all day long. Despite not being subtle at all, somehow Mrs still manages to subdue its own rebellion.
There is necessary commentary threaded through the film—a house-maid unquestioningly cleans up endless messes, nonchalantly mentioning how she is shunned for her lower cast, shaadi ke gift are absurdly practical kitchen appliances and utensils, with a lone pair of headphones tossed. The message is clear: stay in your designated space, and if you must listen to music, do it quietly. Russian nesting dolls bhi dikhti hain, the larger dolls are men smaller one are women—expected to shrink and disappear. The film’s feminist critique might be blunt but it could be effective for those who still need to be shown the heavily lopsided aftermath of what happens and who loses when modernity and tradition clash in Indian households. A father-in-law who never utters thank you, a husband who never truly sees his wife, and a set of parents who keep extolling the virtues of “adjust kar lo beta”, are familiar beats for anyone watching, but beyond the familiarity, Mrs doesn’t take its protagonist’s catharsis to a point where a the audience is poised to feel the protagonist’s release. The lacklustre, uninspired closing song doesn’t QUITE bookend this screenplay as it was intended to.
Mrs. is a 2024 Hindi-language drama film directed by Aarti Kadav. It stars Sanya Malhotra, along with Kanwaljit Singh, and Nishant Dahiya. The film portrays a woman who is a trained dancer and dance teacher; but after marriage, she has to navigate the challenges of marriage, as she tries to follow her own path, find her voice, and express herself freely even as society imposes expectations with regard to her marital life. Malhotra bagged the ‘Best Actress’ award for her performance in the film at the 2024 New York Indian Film Festival.The film is an official remake of the Malayalam drama film The Great Indian Kitchen
Sucharita Tyagi is the newly elected Vice Chairperson of the Film Critics Guild of India. With nearly 20 years of media experience, she is best known for her popular movie reviews on YouTube, where she has built a community of dedicated fans. Now splitting her time between Mumbai and New York, Tyagi also has extensive experience in broadcast radio. With a unique voice, she reviews films and discusses South Asian pop culture with honesty and passion through a contemporary, feminist lens, breaking down complex issues in relatable ways.
Join me!
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Read Sucharita’s reviews here –
Be decent people,
Sucharita
“Mrs. works but how original is it? – Movie Review by Sucharita Tyagi”，取自来源：https://www.youtube.com/watch?v=fQxDAVzMDG0
Mrs. works but how original is it? – Movie Review by Sucharita Tyagi 的标签： #works #original #Movie #Review #Sucharita #Tyagi
文章 Mrs. works but how original is it? – Movie Review by Sucharita Tyagi 具有以下内容：Mrs. (streaming on ZEE5 Global) is too faithful a remake. Barring some (ineffective) song and dance, every beat is nearly identical to the original.
SUBSCRIBE –
My interview with Jeo Baby –
Even if one hasn’t watched Jeo Baby’s film, the Bollywood sheen, texture and overall voice in Mrs. is so overwhelming and complete in, one can pretty accurately predict where each scene is headed. Not to mention eager but sad back ground music ready to hold your hand a little too tight, reminding you WHAT you must feel, in each moment, lest the message is lost. The adaptation also leans away from commenting on dictatorial practices ingrained within religion that stop women from living full lives, while men pray to female deities all day long. Despite not being subtle at all, somehow Mrs still manages to subdue its own rebellion.
There is necessary commentary threaded through the film—a house-maid unquestioningly cleans up endless messes, nonchalantly mentioning how she is shunned for her lower cast, shaadi ke gift are absurdly practical kitchen appliances and utensils, with a lone pair of headphones tossed. The message is clear: stay in your designated space, and if you must listen to music, do it quietly. Russian nesting dolls bhi dikhti hain, the larger dolls are men smaller one are women—expected to shrink and disappear. The film’s feminist critique might be blunt but it could be effective for those who still need to be shown the heavily lopsided aftermath of what happens and who loses when modernity and tradition clash in Indian households. A father-in-law who never utters thank you, a husband who never truly sees his wife, and a set of parents who keep extolling the virtues of “adjust kar lo beta”, are familiar beats for anyone watching, but beyond the familiarity, Mrs doesn’t take its protagonist’s catharsis to a point where a the audience is poised to feel the protagonist’s release. The lacklustre, uninspired closing song doesn’t QUITE bookend this screenplay as it was intended to.
Mrs. is a 2024 Hindi-language drama film directed by Aarti Kadav. It stars Sanya Malhotra, along with Kanwaljit Singh, and Nishant Dahiya. The film portrays a woman who is a trained dancer and dance teacher; but after marriage, she has to navigate the challenges of marriage, as she tries to follow her own path, find her voice, and express herself freely even as society imposes expectations with regard to her marital life. Malhotra bagged the ‘Best Actress’ award for her performance in the film at the 2024 New York Indian Film Festival.The film is an official remake of the Malayalam drama film The Great Indian Kitchen
Sucharita Tyagi is the newly elected Vice Chairperson of the Film Critics Guild of India. With nearly 20 years of media experience, she is best known for her popular movie reviews on YouTube, where she has built a community of dedicated fans. Now splitting her time between Mumbai and New York, Tyagi also has extensive experience in broadcast radio. With a unique voice, she reviews films and discusses South Asian pop culture with honesty and passion through a contemporary, feminist lens, breaking down complex issues in relatable ways.
Join me!
Instagram –
Twitter –
Read Sucharita’s reviews here –
Be decent people,
Sucharita
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该视频目前有 21104 次观看，视频创建日期为 2025-02-06 21:37:57 ，您想下载此视频可以访问以下链接： https://www.youtubepp.com/watch?v=fQxDAVzMDG0 ，标签： #works #original #Movie #Review #Sucharita #Tyagi
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